That’s a lot more than 10 seconds, even at 44.1 or 48 kHz and 32, 24 or 16 bit sample rates. Typical sample memory available is around 600 megs. You also get a flexible sequencer with a touch screen & several practical synth engines. But it’s generally more powerful than any of the old S series rack samplers, and has the same sample bank structure and is multi-timbral. Sure… it’s not going to beat UVI’s Falcon or Native Instruments’ Kontakt with crazy amounts of sampler features. There is also audio clip playback, which allows samples to be placed directly on the sequencer’s playback timeline, or they can be used like looping clips to be turned on and off. In the latest loopop video, host Ziv Eliraz takes an in-depth look at the new MPC Key 61, with detailed overview of the workstation’s capabilities, a discussion of the MPC Key’s workflow, a look at the built-in instruments, and some of the instrument’s pros and cons.Ĭheck it out and share your thoughts on the new MPC Key 61 in the comments!Īny of the current MPC line provides the same kind of sampling that the old S series provided(with synthesis tools & velocity switching/layering and keygroup fades and cross-fading loop points with different loop travel options), in addition to the commonly expected MPC drum sample one-shots.
Akai Professional has officially introduced the MPC Key 61, the first standalone Music Production Center (MPC) synthesizer keyboard.
0 kommentar(er)
